122 bars of 4/4 at a walking 100 BPM, 4:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-20, 22-24 and 34-36, and 6 more places -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 23 times: bars 17, 21, 25, 33, 37, 41 and 17 more.
3 more fills are written out on the fills page.
122 bars across 16 sections: 84 keep time, 23 are fills and 1 is silent. The longest unbroken stretch of time is bars 2-9.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
122 bars, about 4:50 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 23 times: bars 17, 21, 25, 33, 37, 41 and 17 more.