68 bars, 3:38, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 17-18, 29-31 and 33-35, and 2 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 20, 28, 32, 36, 40, 42 and 5 more.
3 more fills are written out on the fills page.
68 bars across 7 sections: 43 keep time, 11 are fills, 2 are stops and 6 are silent. The longest unbroken stretch of time is bars 4-17.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
68 bars, about 3:38 at the written tempo. The course breaks it into 26 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 20, 28, 32, 36, 40, 42 and 5 more.