45 bars of 4/4 at 150 BPM, about 1:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15-17, 27-29 and 31-34, and 1 more place -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 11 times: bars 5, 6, 14, 18, 19, 20 and 5 more.
2 more fills are written out on the fills page.
45 bars across 6 sections: 23 keep time, 11 are fills and 5 are stops. The longest unbroken stretch of time is bars 7-12.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
45 bars, about 1:12 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 5, 6, 14, 18, 19, 20 and 5 more.