103 bars of 4/4 at 112 BPM, about 3:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 31-37, 39-45 and 77-83, and 1 more place -- 32.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 14 times: bars 18, 19, 20, 21, 22, 38 and 8 more.
2 more fills are written out on the fills page.
103 bars across 11 sections: 62 keep time, 14 are fills, 3 are stops and 16 are silent. The longest unbroken stretch of time is bars 3-17.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
103 bars, about 3:55 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 18, 19, 20, 21, 22, 38 and 8 more.