200 bars at 205 BPM -- fast, and 3:54 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 9-21, 23-24 and 73-77, and 1 more place -- 11.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 14 times: bars 26, 42, 46, 50, 96, 104 and 8 more.
5 more fills are written out on the fills page.
200 bars across 22 sections: 86 keep time, 14 are fills, 61 are stops and 24 are silent. The longest unbroken stretch of time is bars 82-95.
205 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
200 bars, about 3:54 at the written tempo. The course breaks it into 54 exercises over 13 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 14 times: bars 26, 42, 46, 50, 96, 104 and 8 more.