99 bars of 4/4 at 138 BPM, about 2:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 34, 36 and 38-39, and 8 more places -- 14.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 22 times: bars 10, 12, 13, 14, 16, 20 and 16 more.
7 more fills are written out on the fills page.
99 bars across 10 sections: 59 keep time, 22 are fills, 11 are stops and 4 are silent. The longest unbroken stretch of time is bars 33-39.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
99 bars, about 2:52 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 22 times: bars 10, 12, 13, 14, 16, 20 and 16 more.