200 bars at 260 BPM -- fast, and 3:05 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-20, 22-26 and 30, and 12 more places -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 37 times: bars 9, 10, 28, 34, 40, 42 and 31 more.
13 more fills are written out on the fills page.
200 bars across 18 sections: 127 keep time, 37 are fills and 7 are stops. The longest unbroken stretch of time is bars 15-27.
260 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
82 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 55 out of 100; the rest of the number is everything around it.
200 bars, about 3:05 at the written tempo. The course breaks it into 74 exercises over 25 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 37 times: bars 9, 10, 28, 34, 40, 42 and 31 more.