111 bars of 4/4 at 144 BPM, about 3:05 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-18, 33-35 and 37-39, and 11 more places -- 32.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 26 times: bars 8, 12, 16, 20, 24, 28 and 20 more.
10 more fills are written out on the fills page.
111 bars across 10 sections: 71 keep time, 26 are fills, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 70-76.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
111 bars, about 3:05 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 26 times: bars 8, 12, 16, 20, 24, 28 and 20 more.