80 bars of 4/4 at a walking 92 BPM, 3:29 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-11, 21-23 and 35-37, and 3 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 1, 2, 3, 4, 12, 20 and 3 more.
1 more fill is written out on the fills page.
80 bars across 7 sections: 61 keep time, 9 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 21-33.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
80 bars, about 3:29 at the written tempo. The course breaks it into 25 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 1, 2, 3, 4, 12, 20 and 3 more.