102 bars of 4/4 at 125 BPM, about 3:19 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 8, 14-19 and 36, and 4 more places -- 17.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 12 times: bars 25, 28, 29, 50, 53, 54 and 6 more.
1 more fill is written out on the fills page.
102 bars across 13 sections: 72 keep time, 14 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 84-93.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
102 bars, about 3:19 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 12 times: bars 25, 28, 29, 50, 53, 54 and 6 more.