119 bars of 4/4 at a walking 100 BPM, 4:44 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 5 and 26-28, and 15 more places -- 33.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 20 times: bars 1, 17, 29, 33, 35, 43 and 14 more.
6 more fills are written out on the fills page.
119 bars across 8 sections: 85 keep time, 20 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 72-85.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
119 bars, about 4:44 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 1, 17, 29, 33, 35, 43 and 14 more.