130 bars of 4/4 at 148 BPM, about 3:31 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9, 11 and 13, and 5 more places -- 10.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 39 times: bars 2, 4, 6, 8, 10, 12 and 33 more.
14 more fills are written out on the fills page.
130 bars across 15 sections: 56 keep time, 39 are fills, 9 are stops and 16 are silent. The longest unbroken stretch of time is bars 18-23.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
130 bars, about 3:31 at the written tempo. The course breaks it into 59 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 39 times: bars 2, 4, 6, 8, 10, 12 and 33 more.