154 bars of 4/4 at 154 BPM, about 4:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 54-56, 58-60 and 62-64, and 4 more places -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 38 times: bars 1, 3, 5, 7, 21, 22 and 32 more.
13 more fills are written out on the fills page.
154 bars across 15 sections: 80 keep time, 38 are fills, 18 are stops and 2 are silent. The longest unbroken stretch of time is bars 11-20.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
154 bars, about 4:00 at the written tempo. The course breaks it into 63 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 38 times: bars 1, 3, 5, 7, 21, 22 and 32 more.