122 bars of 3/4 -- not four -- at 109 BPM, 3:21 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 50-52, 54-56 and 62-64, and 3 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 23 times: bars 20, 24, 25, 40, 41, 45 and 17 more.
5 more fills are written out on the fills page.
122 bars across 17 sections: 47 keep time, 23 are fills, 9 are stops and 35 are silent. The longest unbroken stretch of time is bars 83-88.
109 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 76 out of 100; the rest of the number is everything around it.
122 bars, about 3:21 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 23 times: bars 20, 24, 25, 40, 41, 45 and 17 more.