134 bars of 4/4 at 145 BPM, about 3:39 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45-47, 49-51 and 53-55, and 5 more places -- 12.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 29 times: bars 10, 12, 14, 16, 20, 24 and 23 more.
16 more fills are written out on the fills page.
134 bars across 19 sections: 63 keep time, 29 are fills, 25 are stops and 2 are silent. The longest unbroken stretch of time is bars 1-7.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 14 out of 100; the rest of the number is everything around it.
134 bars, about 3:39 at the written tempo. The course breaks it into 69 exercises over 18 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 29 times: bars 10, 12, 14, 16, 20, 24 and 23 more.