406 bars at 256 BPM -- fast, and 6:21 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26, 28 and 32, and 70 more places -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 22 times: bars 17, 24, 25, 41, 45, 73 and 16 more.
5 more fills are written out on the fills page.
406 bars across 27 sections: 319 keep time, 22 are fills, 17 are stops and 21 are silent. The longest unbroken stretch of time is bars 223-265.
256 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
406 bars, about 6:21 at the written tempo. The course breaks it into 52 exercises over 15 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 22 times: bars 17, 24, 25, 41, 45, 73 and 16 more.