194 bars at 170 BPM -- fast, and 4:23 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45-47, 49-50 and 53-55, and 7 more places -- 18.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 30 times: bars 41, 42, 44, 51, 52, 56 and 24 more.
13 more fills are written out on the fills page.
194 bars across 22 sections: 73 keep time, 30 are fills, 51 are stops and 20 are silent. The longest unbroken stretch of time is bars 155-164.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
194 bars, about 4:23 at the written tempo. The course breaks it into 65 exercises over 17 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 30 times: bars 41, 42, 44, 51, 52, 56 and 24 more.