144 bars of 4/4 at a walking 80 BPM, 6:47 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28, 31-33 and 50, and 4 more places -- 10.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 17 times: bars 16, 25, 26, 30, 34, 35 and 11 more.
6 more fills are written out on the fills page.
144 bars across 16 sections: 90 keep time, 17 are fills, 5 are stops and 13 are silent. The longest unbroken stretch of time is bars 64-77.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
144 bars, about 6:47 at the written tempo. The course breaks it into 57 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 16, 25, 26, 30, 34, 35 and 11 more.