91 bars of 4/4 at a walking 100 BPM, 3:38 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-31, 33-35 and 53-55, and 3 more places -- 21.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 8, 12, 16, 24, 28, 36 and 6 more.
3 more fills are written out on the fills page.
91 bars across 11 sections: 61 keep time, 12 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 53-60.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
91 bars, about 3:38 at the written tempo. The course breaks it into 37 exercises over 17 sittings, about 22 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 8, 12, 16, 24, 28, 36 and 6 more.