94 bars of 4/4 at a walking 105 BPM, 3:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 16, 49 and 59, and 3 more places -- 6.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 41 times: bars 3, 4, 5, 6, 7, 10 and 35 more.
8 more fills are written out on the fills page.
94 bars across 11 sections: 32 keep time, 41 are fills, 8 are stops and 6 are silent. The longest unbroken stretch of time is bars 84-90.
105 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 76 out of 100; the rest of the number is everything around it.
94 bars, about 3:34 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 41 times: bars 3, 4, 5, 6, 7, 10 and 35 more.