170 bars of 4/4 at 145 BPM, about 4:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29-35, 37-42 and 89-95, and 1 more place -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 17 times: bars 2, 4, 8, 11, 12, 27 and 11 more.
9 more fills are written out on the fills page.
170 bars across 18 sections: 109 keep time, 17 are fills, 3 are stops and 25 are silent. The longest unbroken stretch of time is bars 28-42.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 52 out of 100; the rest of the number is everything around it.
170 bars, about 4:41 at the written tempo. The course breaks it into 54 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 17 times: bars 2, 4, 8, 11, 12, 27 and 11 more.