82 bars of 4/4 at a walking 85 BPM, 3:52 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-21 and 25-27 -- 9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 19 times: bars 28, 44, 46, 47, 52, 56 and 13 more.
5 more fills are written out on the fills page.
82 bars across 10 sections: 37 keep time, 20 are fills, 1 is a stop and 15 are silent. The longest unbroken stretch of time is bars 19-23.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
82 bars, about 3:52 at the written tempo. The course breaks it into 36 exercises over 14 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 19 times: bars 28, 44, 46, 47, 52, 56 and 13 more.