91 bars at 162 BPM -- fast, and 2:16 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 43-44, 47-48 and 51-52, and 2 more places -- 10% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 23 times: bars 16, 18, 24, 25, 26, 30 and 17 more.
8 more fills are written out on the fills page.
91 bars across 8 sections: 42 keep time, 25 are fills, 15 are stops and 1 is silent. The longest unbroken stretch of time is bars 1-7.
162 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
91 bars, about 2:16 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 23 times: bars 16, 18, 24, 25, 26, 30 and 17 more.