112 bars of 4/4 at a walking 96 BPM, 4:40 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-31, 45 and 47-53, and 3 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 34 times: bars 3, 15, 22, 23, 24, 32 and 28 more.
7 more fills are written out on the fills page.
112 bars across 9 sections: 68 keep time, 34 are fills and 1 is a stop. The longest unbroken stretch of time is bars 4-14.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
112 bars, about 4:40 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 34 times: bars 3, 15, 22, 23, 24, 32 and 28 more.