145 bars of 4/4 at a walking 105 BPM, 5:31 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 47, 49 and 51, and 20 more places -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 33 times: bars 8, 16, 24, 32, 40, 46 and 27 more.
8 more fills are written out on the fills page.
145 bars across 15 sections: 87 keep time, 33 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 25-31.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
145 bars, about 5:31 at the written tempo. The course breaks it into 51 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 33 times: bars 8, 16, 24, 32, 40, 46 and 27 more.