128 bars of 4/4 at 117 BPM, about 4:23 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26-28, 30 and 37-38, and 6 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 18 times: bars 47, 51, 58, 61, 68, 69 and 12 more.
4 more fills are written out on the fills page.
128 bars across 10 sections: 81 keep time, 18 are fills, 1 is a stop and 15 are silent. The longest unbroken stretch of time is bars 16-34.
117 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
128 bars, about 4:23 at the written tempo. The course breaks it into 37 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 18 times: bars 47, 51, 58, 61, 68, 69 and 12 more.