120 bars at 180 BPM -- fast, and 2:38 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15, 17-26 and 29-31, and 7 more places -- 31% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 14 times: bars 37, 41, 47, 48, 49, 57 and 8 more.
3 more fills are written out on the fills page.
120 bars across 12 sections: 43 keep time, 14 are fills, 52 are stops and 4 are silent. The longest unbroken stretch of time is bars 1-8.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 21 out of 100; the rest of the number is everything around it.
120 bars, about 2:38 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 37, 41, 47, 48, 49, 57 and 8 more.