136 bars at 163 BPM -- fast, and 3:20 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 14 and 18, and 12 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 6 times: bars 24, 58, 62, 88, 89 and 120.
136 bars across 14 sections: 61 keep time, 6 are fills, 39 are stops and 17 are silent. The longest unbroken stretch of time is bars 46-55.
163 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
136 bars, about 3:20 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 24, 58, 62, 88, 89 and 120.