114 bars at 160 BPM -- fast, and 2:52 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 98-99 and 102-103 -- 3.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 74 times: bars 6, 7, 8, 9, 10, 11 and 68 more.
3 more fills are written out on the fills page.
129 bars across 7 sections: 32 keep time, 74 are fills, 1 is a stop and 15 are silent. The longest unbroken stretch of time is bars 35-46.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
114 bars, about 2:52 at the written tempo. The course breaks it into 25 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 74 times: bars 6, 7, 8, 9, 10, 11 and 68 more.