95 bars of 6/4 -- not four -- at 200 BPM, 2:31 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10, 12 and 14, and 21 more places -- 21.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 23 times: bars 15, 16, 23, 24, 31, 32 and 17 more.
5 more fills are written out on the fills page.
142 bars across 7 sections: 81 keep time, 23 are fills and 32 are silent. The longest unbroken stretch of time is bars 1-11.
200 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
95 bars, about 2:31 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 23 times: bars 15, 16, 23, 24, 31, 32 and 17 more.