109 bars of 4/4 at 125 BPM, about 3:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 77-79, 81-83 and 85-87, and 1 more place -- 11.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 37 times: bars 4, 6, 7, 8, 12, 16 and 31 more.
16 more fills are written out on the fills page.
109 bars across 11 sections: 52 keep time, 37 are fills, 9 are stops and 1 is silent. The longest unbroken stretch of time is bars 43-47.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
109 bars, about 3:29 at the written tempo. The course breaks it into 52 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 37 times: bars 4, 6, 7, 8, 12, 16 and 31 more.