137 bars at 180 BPM -- fast, and 3:03 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28-33, 41 and 62-65, and 6 more places -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 34 times: bars 3, 7, 27, 36, 37, 52 and 28 more.
13 more fills are written out on the fills page.
137 bars across 15 sections: 72 keep time, 35 are fills, 11 are stops and 4 are silent. The longest unbroken stretch of time is bars 42-51.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
137 bars, about 3:03 at the written tempo. The course breaks it into 63 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 34 times: bars 3, 7, 27, 36, 37, 52 and 28 more.