172 bars of 4/4 at 150 BPM, about 4:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 9-15, 19-21 and 23-25 -- 7.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 20 times: bars 16, 18, 29, 40, 48, 52 and 14 more.
9 more fills are written out on the fills page.
172 bars across 18 sections: 103 keep time, 20 are fills, 17 are stops and 6 are silent. The longest unbroken stretch of time is bars 108-119.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
172 bars, about 4:35 at the written tempo. The course breaks it into 74 exercises over 25 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 20 times: bars 16, 18, 29, 40, 48, 52 and 14 more.