125 bars of 4/4 at 125 BPM, about 4:00 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-35 and 81-91 -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 23 times: bars 12, 17, 18, 19, 20, 21 and 17 more.
5 more fills are written out on the fills page.
125 bars across 15 sections: 64 keep time, 23 are fills, 5 are stops and 21 are silent. The longest unbroken stretch of time is bars 80-91.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
125 bars, about 4:00 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 23 times: bars 12, 17, 18, 19, 20, 21 and 17 more.