98 bars, 5:17, at 73 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 6-8, 17 and 24, and 9 more places -- 15.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 37 times: bars 5, 9, 19, 22, 23, 25 and 31 more.
11 more fills are written out on the fills page.
98 bars across 13 sections: 30 keep time, 37 are fills, 15 are stops and 8 are silent. The longest unbroken stretch of time is bars 11-15.
73 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
98 bars, about 5:17 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 37 times: bars 5, 9, 19, 22, 23, 25 and 31 more.