325 bars of 4/4 at 150 BPM, about 8:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 60-62, 64-66 and 70-71, and 13 more places -- 14.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 71 times: bars 2, 3, 4, 5, 14, 15 and 65 more.
13 more fills are written out on the fills page.
325 bars across 17 sections: 165 keep time, 72 are fills, 67 are stops and 8 are silent. The longest unbroken stretch of time is bars 262-293.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
325 bars, about 8:40 at the written tempo. The course breaks it into 61 exercises over 20 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 71 times: bars 2, 3, 4, 5, 14, 15 and 65 more.