231 bars of 3/4 -- not four -- at 90 BPM, 7:56 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 136-138, 140-142 and 144-146, and 4 more places -- 10% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 70 times: bars 1, 2, 3, 4, 5, 6 and 64 more.
15 more fills are written out on the fills page.
250 bars across 26 sections: 107 keep time, 70 are fills, 13 are stops and 40 are silent. The longest unbroken stretch of time is bars 111-125.
90 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
90 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
231 bars, about 7:56 at the written tempo. The course breaks it into 77 exercises over 27 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 70 times: bars 1, 2, 3, 4, 5, 6 and 64 more.