85 bars of 4/4 at a walking 86 BPM, 3:57 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 14-18 and 20, and 3 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 7 times: bars 13, 19, 21, 29, 37, 41 and 1 more.
85 bars across 6 sections: 61 keep time, 7 are fills, 1 is a stop and 12 are silent. The longest unbroken stretch of time is bars 60-85.
86 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
85 bars, about 3:57 at the written tempo. The course breaks it into 17 exercises over 6 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 13, 19, 21, 29, 37, 41 and 1 more.