224 bars of 4/4 at 140 BPM, about 6:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 36-37, 40-41 and 60-61, and 11 more places -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 9 times: bars 27, 85, 93, 125, 157, 165 and 3 more.
2 more fills are written out on the fills page.
224 bars across 20 sections: 181 keep time, 9 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 127-148.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
224 bars, about 6:24 at the written tempo. The course breaks it into 57 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 9 times: bars 27, 85, 93, 125, 157, 165 and 3 more.