280 bars at 182 BPM -- fast, and 6:09 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 17-20, 25-27 and 85-88, and 9 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 28, 76, 84, 120, 128, 204 and 3 more.
1 more fill is written out on the fills page.
280 bars across 41 sections: 178 keep time, 9 are fills, 10 are stops and 31 are silent. The longest unbroken stretch of time is bars 38-65.
182 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
280 bars, about 6:09 at the written tempo. The course breaks it into 50 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 28, 76, 84, 120, 128, 204 and 3 more.