37 bars of 4/4 at a walking 85 BPM, 1:42 of playing, on crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-7 -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 10 times: bars 15, 16, 18, 27, 28, 30 and 4 more.
37 bars across 2 sections: 19 keep time, 10 are fills and 6 are stops. The longest unbroken stretch of time is bars 1-10.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 0 out of 100; the rest of the number is everything around it.
37 bars, about 1:42 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 29 minutes each.
crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 15, 16, 18, 27, 28, 30 and 4 more.