108 bars, 6:54, at 62 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 29-31, 33 and 35, and 13 more places -- 29.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
16 fills to learn, played 22 times: bars 6, 12, 14, 16, 18, 20 and 16 more.
12 more fills are written out on the fills page.
108 bars across 15 sections: 60 keep time, 22 are fills, 7 are stops and 6 are silent. The longest unbroken stretch of time is bars 86-92.
62 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
108 bars, about 6:54 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 22 times: bars 6, 12, 14, 16, 18, 20 and 16 more.