80 bars of 4/4 at a walking 97 BPM, 3:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-8, 13-15 and 21-23, and 2 more places -- 22.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 17 times: bars 12, 16, 20, 24, 28, 32 and 11 more.
7 more fills are written out on the fills page.
80 bars across 16 sections: 42 keep time, 17 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 34-40.
97 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 76 out of 100; the rest of the number is everything around it.
80 bars, about 3:18 at the written tempo. The course breaks it into 29 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 17 times: bars 12, 16, 20, 24, 28, 32 and 11 more.