91 bars of 4/4 at 150 BPM, about 2:26 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9, 11 and 13, and 1 more place -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 22 times: bars 12, 14, 31, 32, 33, 34 and 16 more.
6 more fills are written out on the fills page.
91 bars across 11 sections: 41 keep time, 22 are fills, 6 are stops and 16 are silent. The longest unbroken stretch of time is bars 17-24.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
91 bars, about 2:26 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 22 times: bars 12, 14, 31, 32, 33, 34 and 16 more.