91 bars of 4/4 at a walking 100 BPM, 3:38 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 51-64 -- 18.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 22 times: bars 10, 12, 13, 14, 38, 40 and 16 more.
3 more fills are written out on the fills page.
91 bars across 10 sections: 45 keep time, 22 are fills, 1 is a stop and 16 are silent. The longest unbroken stretch of time is bars 52-64.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
91 bars, about 3:38 at the written tempo. The course breaks it into 30 exercises over 10 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 22 times: bars 10, 12, 13, 14, 38, 40 and 16 more.