200 bars, 10:35, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 39, 41 and 43, and 6 more places -- 13.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 25 times: bars 4, 6, 8, 10, 11, 12 and 19 more.
11 more fills are written out on the fills page.
200 bars across 14 sections: 135 keep time, 25 are fills, 23 are stops and 4 are silent. The longest unbroken stretch of time is bars 61-77.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
200 bars, about 10:35 at the written tempo. The course breaks it into 61 exercises over 20 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 25 times: bars 4, 6, 8, 10, 11, 12 and 19 more.