132 bars of 4/4 at 144 BPM, about 3:40 of playing, on crash, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 43-45, and 7 more places -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 36 times: bars 8, 11, 12, 16, 28, 32 and 30 more.
14 more fills are written out on the fills page.
132 bars across 14 sections: 54 keep time, 36 are fills, 6 are stops and 23 are silent. The longest unbroken stretch of time is bars 69-73.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
132 bars, about 3:40 at the written tempo. The course breaks it into 45 exercises over 12 sittings, about 28 minutes each.
crash, snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.
18 fills to learn, played 36 times: bars 8, 11, 12, 16, 28, 32 and 30 more.