221 bars of 4/4 at 150 BPM, about 5:52 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 14 and 21, and 11 more places -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 38 times: bars 9, 13, 17, 19, 20, 24 and 32 more.
13 more fills are written out on the fills page.
221 bars across 21 sections: 126 keep time, 38 are fills, 16 are stops and 17 are silent. The longest unbroken stretch of time is bars 89-110.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
221 bars, about 5:52 at the written tempo. The course breaks it into 69 exercises over 18 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 38 times: bars 9, 13, 17, 19, 20, 24 and 32 more.