117 bars of 4/4 at 139 BPM, about 3:22 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 35-37, 43-45 and 69-71, and 3 more places -- 17.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 27 times: bars 4, 14, 18, 22, 26, 29 and 21 more.
12 more fills are written out on the fills page.
117 bars across 15 sections: 45 keep time, 27 are fills, 15 are stops and 16 are silent. The longest unbroken stretch of time is bars 39-45.
139 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
117 bars, about 3:22 at the written tempo. The course breaks it into 48 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 27 times: bars 4, 14, 18, 22, 26, 29 and 21 more.