121 bars of 4/4 at 150 BPM, about 3:14 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 25-31, and 10 more places -- 33.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 11 times: bars 8, 16, 24, 32, 40, 48 and 5 more.
3 more fills are written out on the fills page.
121 bars across 10 sections: 98 keep time, 11 are fills and 1 is a stop. The longest unbroken stretch of time is bars 58-79.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
121 bars, about 3:14 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 8, 16, 24, 32, 40, 48 and 5 more.